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Museum of Contemporary Art, Chief Curator Michael Darling

Chief Curator of the Museum of Contermporary Art, Michael Darling takes host of Fear No ART, Elysabeth Alfano, on a private tour at the MCA. Michael speaks candidly and refreshingly personably about how important art is in contemporary society. While they walk the corridors of the museum and throughout the superb exhibit, "Pandora's Box: Joseph Cornell Unlocks the MCA Collection", Mr. Darling talks about the artist struggle, the importance of the museum creating a safe space to ask questions, and about the clear, concise and non-convoluted ways we can all relate to art. We also get a one-on-one discussion/explanation of some of the museums most famous pieces by Andy Warhol and Robert Rauschenberg, plus a few art collecting tips for the novice and the connoisseur alike. Enjoy this warm and accessible art lesson and one-on-one private tour.
Категория: Education
Время: 00:05:59.250
Теги: Michael darling museum of contemporary art chicago MCA art paintings elysabeth alfano Fear no art andy warhol robert rauschenberg rene magritte sculpture artist interview drawing painting modern art museum joseph cornell alfred jensen nam june paik nick cave richard long pipilotti rist david salle lari Pittman photography installation art performance art visual art curator chief curator MCA curator modern art contemporary art
 

Rachel Kent Introduces Marking Time

MCA Curator Rachel Kent introduces opening season exhibition Marking Time.
Категория: Nonprofits & Activism
Время: 00:01:12
Теги: MCA Sydney Australia Contemporary Art Museum Rachel Kent Curator Marking Time
 

Glenn Barkley Introduces Volume One: MCA Collection

MCA Curator Glenn Barkley introduces opening season exhibition Volume One: MCA Collection.
Категория: Nonprofits & Activism
Время: 00:01:06.750
Теги: MCA Sydney Australia Contemporary Art Museum Collection Glenn Barkley Curator
 

A Talk by CAM Chief Curator Dominic Molon

Dominic Molon's appointment at CAM began on September 27, 2010. On March 10, Molon presented a lecture on his recent work at the Museum of Contemporary Art (MCA), Chicago, his plans for the Contemporary Art Museum St. Louis (CAM), his love of rock-and-roll, Manchester United, and much more. Since August of 2009, Dominic Molon served as Acting Head of the Curatorial Department at the MCA Chicago, providing invaluable leadership and managerial experience that he will now be contributing to CAM. In addition to his work at MCA, Molon regularly contributes to various art publications, makes public presentations, lectures widely across the United States, and serves on international advisory committees. During his tenure at the MCA, Molon curated major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside-Out (2010) where the exhibition addressed the pivotal role of the studio in artists' practice; and Sympathy for the Devil: Art and Rock and Roll since 1967 (2007). This monumental exhibition was the most serious and comprehensive look at the intimate and inspired relationship between the visual arts and rock-and-roll culture to date. He also organized solo exhibitions of such significant contemporary artists such as Liam Gillick (2009), Wolfgang Tillmans (2006), Paul Pfeiffer (2003) coorganized with MIT List Visual Arts Center, Gillian Wearing (2002), and Sharon Lockhart (2001), while coordinating ...
Категория: Nonprofits & Activism
Время: 00:31:24.750
Теги: chief curator dominic molon st. louis chicago mca contemporary art director rock roll manchester united cam curatorial department
 

So Now You Know | Curator

www.creativefoyer.com.au Curators are very talented, but can they actually cure people? We asked Rachel Kent, Senior Curator at the Museum of Contemporary Art Australia for a remedy to help set the record straight. The So Now You Know series is by Creative Foyer Australia's online arts career meeting place
Категория: Entertainment
Время: 00:01:11.250
Теги: curator Rachel Kent MCA Creative Foyer So Now You Know Museum of Contemporary Art industry jargon arts jargon arts jobs The Arts visual arts arts jobs online arts careers australia
 

Jim Nutt @ MCA Chicago

January 29—May 29, 2011 Since 1990, Jim Nutt has focused exclusively on female heads in spare line drawings and rich, detailed paintings. This exhibition is a retrospective of Jim Nutt's work that emphasizes the development of these important paintings through their precedents in his own work. Acknowledging the groundswell in interest in this unique American artist's work, this is the first major presentation of Nutt in over a decade. Nutt's history as an important artist dates to the mid-1960s where in Chicago he was a chief instigator of the irreverent "Hairy Who" group, now better known as the imagists. While it was undoubtedly inspired by mid-twentieth century pop culture, especially comic books, advertisements, jukebox and pinball machine art, and street signs, Nutt's art also explores the formal devices and techniques of historical painting. Northern European portraiture of the 15th and 16th century; Colonial American painting; the color and line explorations of Henri Matisse and Joan Miró; the quirky individualism of such artists as John Graham, Max Ernst, Arshile Gorky, and HC Westermann all offered lessons as Nutt has matured over four decades of artistic development. This exhibition is organized by MCA Curator Lynne Warren. For more information, please visit www.mcachicago.org
Категория: Entertainment
Время: 00:01:09.750
Теги: MCA Museum Contemporary Art Chicago MOCA artist modern Madeleine Grynsztejn Illinois Michigan Avenue Water Tower Streeterville Gold Coast Mies van der Rohe galleries gallery exhibition Michael Darling Dominic Molon Lynne Warren Tricia Eck Julie Rodrigues Widholm Green 12x12 curator curate Jim Nutt drawing painting retrospective Hairy Who Imagists pop culture comic books jukebox pinball Northern European portraiture Henri Matisse Joan Miró John Graham Max Ernst Arshile Gorky Westermann
 

Coppice "Vinculum (Coincidence)" -- short version

"Vinculum (Coincidence)" by Coppice (Noé Cuéllar & Joseph Kramer) is a procedural composition that unfolds from intersections between two accordions, fixed media, spatial/temporal intervals, and audience flow. The playback consists of multiple breathing rhythms, simple and complex tones, periodic silences, and instrumental artifacts (like crackle, hissing, rattles, etc); while the accordion parts are minimalist, based on long notes, intervalic relationships and simple musical phrases repeated over a long period of time. The score derives its instructions from coincidences between the two accordions as they intersect with the pre-recorded material and the activity in the space. The performance can be conditioned to different settings in ways that integrate diffused performance/audience spaces, distance, proximity, and the inherent sound characteristics of the space itself. Conceived for its site-specific live presentation at the Museum of Contemporary Art's Without You I Am Nothing: Interactions, a four-month companion series of artist and audience activations within the exhibition Without You I Am Nothing: Art and Its Audience, co-curated by MCA Associate Curator Tricia Van Eck with assistance from Dominic Molon. It was performed for a total of 14 hours between February 8-13, 2011. "Vinculum (Coincidence)" is an extension of the ongoing project "Vinculum", Coppice's archive of sonic artifacts. Visit www.futurevessel.com
Категория: Music
Время: 00:04:21
Теги: coppice chicago noe cuellar joseph kramer museum of contemporary art next merchandise mart rodion galperin rodion creative accordion electronics
 

How Nutt Paints

January 29—May 29, 2011 Since 1990, Jim Nutt has focused exclusively on female heads in spare line drawings and rich, detailed paintings. This exhibition is a retrospective of Jim Nutt's work that emphasizes the development of these important paintings through their precedents in his own work. Acknowledging the groundswell in interest in this unique American artist's work, this is the first major presentation of Nutt in over a decade. Nutt's history as an important artist dates to the mid-1960s where in Chicago he was a chief instigator of the irreverent "Hairy Who" group, now better known as the imagists. While it was undoubtedly inspired by mid-twentieth century pop culture, especially comic books, advertisements, jukebox and pinball machine art, and street signs, Nutt's art also explores the formal devices and techniques of historical painting. Northern European portraiture of the 15th and 16th century; Colonial American painting; the color and line explorations of Henri Matisse and Joan Miró; the quirky individualism of such artists as John Graham, Max Ernst, Arshile Gorky, and HC Westermann all offered lessons as Nutt has matured over four decades of artistic development. This exhibition is organized by MCA Curator Lynne Warren. For more information, please visit www.mcachicago.org
Категория: Entertainment
Время: 00:15:45
Теги: MCA Museum Contemporary Art Chicago MOCA artist modern Madeleine Grynsztejn Illinois Michigan Avenue Streeterville Gold Coast Mies van der Rohe galleries gallery exhibition Michael Darling Lynne Warren Tricia Eck Julie Rodrigues Widholm Green curator curate Jim Nutt drawing painting retrospective Hairy Who Imagists comic books pinball Paul Nudd Diane Simpson Gladys Nilsson Karl Wirsum
 

MCA Almanac - The Gift of Ann Lewis AO

MCA Curator Glenn Barkley introduces us to the eclectic artwork donated by Sydney Arts philanthropist Ann Lewis
Категория: Education
Время: 00:12:19.500
Теги: Art artists aboriginal mca gallery museums cultural indigenous photography installationart multi media exhibition arts
 

Donald Moffett on This Will Have Been: Art, Love & Politics in the 1980s

Discussing Gran Fury's work "Kissing Doesn't Kill," artist Donald Moffett's heartfelt talk represents the thesis for the "Democracy" section of This Will Have Been: Art, Love & Politics in the 1980s. For many artists, public spaces such as the street became arenas in which to facilitate encounters with art outside of the rarified space of the museum, and in this section we see artworks that use posters, graffiti, and everyday language to broadcast a social message as widely as possible. This interest in the public sphere was complicated by many artists' observation that, increasingly, television was replacing the street or the public square as a primary site of democratic debate. This Will Have Been: Art, Love & Politics in the 1980s provides an overview of the artistic production of a decade of cultural and political transformation. Presenting canonical as well as nearly forgotten works produced between 1979 and 1992, the exhibition touches on major developments of the period, including the rise of the commercial art market, the politicization of the AIDS crisis, the increased visibility of women and gay artists and artists of color, and the ascension of televised media. Organized by MCA Chicago, This Will Have Been: Art, Love & Politics in the 1980s is guest curated by Helen Molesworth, Barbara Lee Chief Curator, Institute of Contemporary Art/Boston. This Will Have Been: Art, Love & Politics in the 1980s Feb 11 - Jun 3, 2012 More info: mcachicago.org
Категория: Entertainment
Время: 00:00:48.750
Теги: mca chicago donald moffett 1980s art 1980s politics gran fury aids activism
 
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