| Art in Iraq Today, organized and curated by Dia Al-Azzawi, Solidere, Charles Pocock of Meem Gallery and Rula Alami Zaki, brings together the works of a group of Iraqi artists with varying working methodologies, whom are united in their experience of exile. One of the major aims of this project is to highlight the enduring talent of contemporary Iraqi artists despite the circumstances that have forced them to relocate to various parts of the globe. Seeing that the artists included in this exhibition spent their formative years in Iraq, and have been profoundly shaped by such experiences, their work carries within it, along with their experience of exile, traces of what contemporary art in Iraq might have been today. Art in Iraq Today should therefore be seen as more emblematic than literal in its message. The title also needs to be understood in the context of the project's inception, which is dedicated to the memory of pre-eminent art critic Jabra Ibrahim Jabra and his seminal essay about modern Iraqi art, titled 'Art in Iraq Today' (1961). The exhibition series and corresponding publication, Art in Iraq Today (published by Skira and Meem Editions, sponsored by Crescent Petroleum), marks the fiftieth anniversary of Jabra's scholarly contribution, which was initiated in a different era, when Iraq was a very different country. Presently, nothing in Iraq remains that can relate to the movements established by the modern art pioneers and the legacies of the Pioneers Group ... |
