| A masterpiece from the Album "One Truth" (1999). Listen & Enjoy it. Omar Faruk Tekbilek had been studying Sufism, the mystical branch of Islam, with the thought of becoming a Sufi cleric. At 15, he quit school to become a professional musician. "But I never quit studying, though," he maintains. "In fact, I am still studying; it's endless. Music for me is not something to show off. It's my life. It's the shortest path to God. Playing is prayer for me." He went to Istanbul and at the age of 17 met the Mevlevi Dervishes, the ancient Sufi order of Turkey. He did not join the order, but felt profoundly influenced by their mystical approach to sound and to the spirit. Another, almost equally mystical influence would soon appear, from an unlikely source. The young Tekbilek became friend with flute and saxophone player named Ismet Siral, who had some unusual ideas about music theory. "He would say things like, let's play for birds, let's play for pictures." OFT says about Burhan Tonguch, his rhythm teacher: "He put the idea in my mind that everything is a rhythmic instrument. And everyone is a percussionist. Without the strike, there is no sound." Despite, or perhaps because of, this unconventional outlook, Faruk's skills were much in demand in the studios of Istanbul, and in 1971, at the age of 20, made his first brief tour of the United States with a Turkish classical/folk ensemble. The Tree of Patience was about to put out an unexpected limb. "I try to play a song the way it's ... |
