Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 Valentina Lisitsa
it is a form of ...
it is a form of expresion not a tempo marking
presto agitato= ...
presto agitato= quickly and agitated
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......
Btw.... this isn't ...
Btw.... this isn't a girl...... It's Dracula XD (borrowing the top comment)
wow and im having ...
wow and im having trouble playing the first movement
crazy shit.
crazy shit.
Hermoso ;perfecto,
Hermoso ;perfecto,
I have many found ...
I have many found memories of watching my mother play this piece. Thanks for sharing your talent with us.
This is the third ...
This is the third movement of the Moonlight sonata so it is, :-P.
this is not ...
this is not moonlight sonata
I wish I wouldn´t ...
I wish I wouldn´t have stoped playing, damn school!
Begin to play again ...
Begin to play again. You wil not regret it. The piano is a life long companion
good job!!!!! I ...
good job!!!!! I wish i could do like you!
super
super
Beethoven marked ...
Beethoven marked the piece 'presto agitato'. He did not mark it 'prestissimo', as well he could have. I feel that as the tempo is increased, this option for the 'agitato' is reduced. Clearly, Beethoven wished for us to feel something, not to have the work move on to the next phrase before that feeling has a chance to be absorbed. I think Kempff understood this, and that we hear Beethoven when we listen to him; others, who play quickly, we only hear their vanity, their boasting of speed.
Beethoven marked ...
Beethoven marked the piece 'presto agitato'. He did not mark it 'prestissimo', as well he could have. I feel that as the tempo is increased, this option for the 'agitato' is reduced. Clearly, Beethoven wished for us to feel something, not to have the work move on to the next phrase before that feeling has a chance to be absorbed. I think Kempff understood this, and that we hear Beethoven when we listen to him; others, who play quickly, we only hear their vanity, their boasting of speed.
Beethoven marked ...
Beethoven marked the piece 'presto agitato'. He did not mark it 'prestissimo', as well he could have. I feel that as the tempo is increased, this option for the 'agitato' is reduced. Clearly, Beethoven wished for us to feel something, not to have the work move on to the next phrase before that feeling has a chance to be absorbed. I think Kempff understood this, and that we hear Beethoven when we listen to him; others, who play quickly, we only hear their vanity, their boasting of speed.
banskugrau, with ...
banskugrau, with his huge experience in classical music (10 years of lady gaga listening, I guess) is fascinated by hands moving quickly. And he probably thinks that playing the piano is essentially the fast movement. So he can't understand why 300 people don't like this, but he would probably dislike a kinderszenen interpretation by horowitz, because it would be "boring and slow". That's why he's retarted
I can't even type ...
I can't even type that fast. Lawl.
This girl makes me ...
This girl makes me want to learn to play the piano.
i dont understand. ...
i dont understand...
what is it with ...
what is it with her hands?